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  • Home
  • Printmaking 2024
  • Paintings 
    • Sketchbook 2025
    • Sketchbook 2024
    • Sketchbook 2023
    • France 2023
    • Scilly Sketchbook 2022
    • Sketchbook 2021 2022
    • Oil Paintings 2021
    • Scilly Sketchbook 2021
    • Paintings 2020
    • Paintings 2018
    • Paintings 2017
    • Paintings 2016
    • Paintings 2015
    • Early sketchbooks
    • Helford Sketchbook
  • My Art Bag
  • Shop
  • Contact
  • …  
    • Home
    • Printmaking 2024
    • Paintings 
      • Sketchbook 2025
      • Sketchbook 2024
      • Sketchbook 2023
      • France 2023
      • Scilly Sketchbook 2022
      • Sketchbook 2021 2022
      • Oil Paintings 2021
      • Scilly Sketchbook 2021
      • Paintings 2020
      • Paintings 2018
      • Paintings 2017
      • Paintings 2016
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  • Paintings 2018

    In the Summer of 2018 Tate St Ives showed Patrick Heron's work. I also attended an excellent 'Patrick Heron' workshop run by Gareth Edwards at Newlyn Art School where we experimented with Heron's painting techniques. A lot of emphasis was given to Heron's 'pre-cognitive' technique - painting without thinking about it. But I was most taken with his pieces that were clearly inspired by his garden - especially an early painting 'Azalea Garden'. Wanting to capture the essence of our own herbaceous border in spring and summer I borrowed his technique of using vertical marks of colours observed in the garden - but couldn't resist overlaying this with more representational (but out-of-scale) marks inspired by Sisyrinchium, Achillea, Euphorbia and Santolina

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    Spring garden 1

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    Spring garden 2

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    Spring garden 3

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    Summer garden midday

    Poppies and yellow rattle growing in my friend Janie's wildflower meadow. It is hard to avoid the urge to paint representationally when standing in front of the subject

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    Summer garden evening

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